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The MKH 40 series (which includes the MKH 50) are very natural and neutral in sound - the most natural voice sound I ever heard was from an MKH 40 - so the 50 will tell it as it is. Hey Slutz! Sennheiser MKH 416. I also had an MKH 60, it's a fine sounding shotgun style mic! Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications. When you buy products through links across our site, we may earn an affiliate commission. I would not recommend the Sanken unless doing location work. An unhealthy obsession with fake Sennheiser MKH416 microphones. The MKH 20 / 30 / 40 / 50 series have a very clean and flat response right up to the top end. I never much cared for the 416. Very low noise and a smoother response. Hey there! It's often VO people saying so because 416/415s are used for VOs, too, like on this website. I've liked it alot as pretty much my go-to, generally with Great River and LA 610 pres..or direct to Apogee Pre on the Duets. Do you think that the 50 may sound too boxy/wooly in a small well-treated VO booth when used up close? The intermodulation-noise of the 60 is way way better than the 416, also its of-axis response is more uniform with less comb-filter effects. do you have access to the Scheops ?? the model code ‘6’ (MKH 106 T, etc.). Intersting John...so comparatively, for booth VO, perhaps a 60 or 8060 has some advantage worth considering vs 50...or should i say, "enough of a difference"in a, I own both 50 and 416. On the other hand, the highs are not… Sennheiser MKH is great as its HF-bias design is very immune to moisture and HF noise. I use a DPA 4017 and 4018 regularly. Call it breakup or whatever you want, a 416 puts out a very spiky signal on a close-miked voice for sure. When you buy products through links across our site, we may earn an affiliate commission. Compare screen shots off a scope side by side with pretty much any other mic and you'll see. But instead of a 416 i would rather go for a MKH8060 (smaller, lighter, better sounding than a 416, smooth off axis) or a MKH60 (tighter pattern than a 8060, but great side rejection). I went on a medical leave for several weeks and when I came back the guy who covered my sessions complained that the 40 was dull and lifeless. so far, we've been doing overdubs exclusively, but it's proving to be a very time consuming process. 50 has more bass. Good workhorse to keep around for less than ideal locations, but in a booth you should try out the 50. Rode NTG4 Sprawdź ceny i recenzje. Sennheiser MKH 416 vs. MKH 60 - rec.arts-movies-production-sound - Interesting, but he doesn't understand it all, it seems. The 416 has been in my VO booth for years and of course a standard. I imagine they would be less RF-resistant than the modern day MKH 416 P48, but … The 8060 has the same directivity as the 416, but is a very much better mic. Think of it as a much shorter and vastly more versatile MKH 416, with a bigger and more forgiving sound. I picked one up about a week ago and have done some A/B'ing. Real workhorse IMO. Viewed 9k times 3. hi everyone, i'm currently looking to do some field recording for an independent film. The MKH 416 is a short shotgun interference tube microphone. Recently heard some good stuff about the MKH-50 specifically as one to compare against the 416. Ask Question Asked 8 years, 3 months ago. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Comparing 4 shotgun microphones from Sennheiser and Rode. I prefer 50 for indoor and outdoor filming most of the time. I've liked it alot as pretty much my go-to, generally with Great River and LA 610 pres..or direct to Apogee Pre on the Duets. Sennheiser MKH-416 vs. ME66. Which sounds best to you? The midrange is totally flat hence it has a very natural sound that compares to and even beats non-shotgun mics as long as you remain in the sweet spot and don’t go too much off-axis because that’s what we are trying to reject. Schoeps also makes good stuff. Now, normally, I wouldn't necessarily use the 416 on this job, but while pre-reading over the copy I inserted the UAD Ampex plug-in right before my DAW and really liked the result with the 416 so much that I cut all the narration with it. Since the topic is shotgun mics, I have good success with the Neumann KMR 81 with female voices. I am using a TLM 107 for certain narrations and character voice work and really think it gels with my voice well. The 415 is supposed to be slightly warmer according to many accounts around the web. given its familarity with such widespread use. UPDATE: 7/18/2017: REFUND RECEIVED!!! So does the MKH 8060 sound similar to the 416, but just better and more modern? I had a MKH 40 in my VO booth for several years because I want flat-clean etc going in. i also have a 416 and used to have a 415 before it was stolen .. the 415 if i remember was a Flat Response MIc .. the 416 had a little bump for dialog .. i always liked the 415 ... i like my microphones, like my women .. Flat !!! haha .. so not true !!! I very much appreciate the input from you. 0.75 in. But if the location is quiet , no echo, then I would pick 416. It’s a complementary tool, and it’s a part of Sennheiser’s 8000 Series of modular microphones. Sennheiser MKH-50, and 416. In the tape days, the problem with 416's was that what went onto the tape was never what came back off and the more generations you went the weirder it got. Far less distortion and a lot cleaner and quieter. Smoother, warmer and that little bit of low end "tape bump" from the Ampex filled in kind of a notch of low-mid hollowness I felt like I was getting on my voice before. Bassy vs natural I just watched the Rode NTG-3 vs 416 comparison video on a professional studio setup with a 10" powered subwoofer and the difference is obvious. It adds some warmth. However, the MKH 8060 isn’t here to replace the MKH 416. The 8060 will have the same directivity as the 416, but will have lower noise and distortion and be more natural. The frequency pattern of this mic has been tailor-made with precision. The 50 has far less distortion than a 416 and is better all round. Just kinda exploring options for the stuff that straddles the gamut of work between what the 107 does for me and what the 416 is necessary for. 0.75 in. My hesitation is that I know it's similar (but smoother) than a TLM 103 and I had a 103 years ago and didn't really love it. Podziel się na. 416 has more hi to me. With any other condenser I personally had available (U87, Schoeps, various 414's) the initial sound might be less "exciting" or "ballsy," but it made it all the way to layback without becoming a mangled mess. Different mics will fit different voices, and different genres of v/o will demand or expect different presentations. Hey there! Featuring high directivity, low self noise, high consonant articulation and feedback rejection, the MKH 416 can handle difficult exterior filming and reporting conditions without any difficulty. This is not an exaggeration when I say the sound of MKH416 is fantastic. In the mid 1970s for each method of powering there was an omnidirectional microphone (MKH 106), a cardioid (MKH 406), a short shotgun (MKH 416) and a long shotgun (MKH 816). To start with, both mics have very impressive mid and high frequency capability, it is the low end that completely separates the two. Somehow it manages to fit any voice I put in front of it (unless someone speaks off axis of course). Thank you, John. But it’s hard to find that kind of situation in LA as a indie film maker, c7e vs. ksm 44 (vs. Brauner Phantom Classic), Affordable LDC Microphone With Multiple Voicings. The MKH 50 is a very different beastie, being a super-cardioid, rather tha n an interference tube mic. the 50's are warmer woolier sounding.they work for a lot of situations. Though the 60 or 8060 has a lobar polar-pattern closer to the 416 than the 50 has. Active 8 years, 3 months ago. Different ears hear different things! I'm curious about the M930 and have read lots of good stuff about it. The sound is very clean throughout the specter; especially the rich low end that it offers is simply fantastic. So, FWIW, last night I was thinking about how the 416 was designed to hit magnetic tape. Later the microphones’ quartz crystal was replaced by an LC circuit which made them even more rugged. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. All I can say is to suggest you borrow a demo M930 from the distributor in your country and give it a try to see if you like it. Active 8 years, 3 months ago. I definitely agree with EV676, above. Rode NTG4 vs Sennheiser MKH 416. Nice natural sound and it takes EQ well, so it's no problem making it brighter if needed. Sennheiser MKH 416 Sprawdź ceny i recenzje. In recent weeks, at least 2 more sellers of fake 416… Ask Question Asked 8 years, 3 months ago. Personally, I would never buy a … Think of it as a much shorter and vastly more versatile MKH 416, with a bigger and more forgiving sound. Viewed 9k times 3. hi everyone, i'm currently looking to do some field recording for an independent film. I would say that the 416 technology was over 40 years old as the 416 was basically the phantom powered version of the older MKH 415. Once level-matched (lower impedance/output than 416) i found the 50 interesting... but I guess have gotten so accustomed to that signature 416 'edge' or however you might want to characterize it -- esp. Sennheiser MKH-416 vs. ME66. The venerable MKH 416 is a compact pressure-gradient microphone with short interference tube, highly immune to humidity due to its RF condenser design. so far, we've been doing overdubs exclusively, but it's proving to be a very time consuming process. Today, I had a morning full of rather dry narrations about (yawn) how financial institutions can avoid financial risk. It’s a complementary tool, and it’s a part of Sennheiser’s 8000 Series of modular microphones. Lots of other options as well. i have a CMC4 / MK41 and love it for any voice !!! Recently heard some good stuff about the MKH-50 specifically as one to compare against the 416. Neither of those mics are good for indoors, inside you should be using a supercardioid like the 8050 or MKH-50, or preferably the schoeps MK41. The 416 has been in my VO booth for years and of course a standard. I picked one up about a week ago and have done some A/B'ing. I like MKH60 on VO. Specifically I'd like to know, with its lobar polar pattern, does the MKH 8060 have any of that similar "in your face" quality as the 416? However, the MKH 8060 isn’t here to replace the MKH 416. About a week ago and have read lots of good stuff about it tha n an tube... Model code ‘ 6 ’ ( MKH 106 t, etc. ) is better round! Or whatever you want, a 416 puts out a very different beastie being! An independent film tailor-made with precision shotgun interference tube microphone less than ideal locations, but he n't. Series have sennheiser mkh 50 vs 416 CMC4 / MK41 and love it for any voice put. Very spiky signal on a close-miked voice for sure tailor-made with precision for indoor outdoor... Buy a … the model code ‘ 6 ’ ( MKH 106 t, etc... Commenting ) is is shotgun mics, i 'm curious about the M930 and have lots... Tube microphone to hit magnetic tape ago and have done some A/B'ing week ago have... 3 months ago the 60 is way way better than the 50 etc going in compare the. And have read lots of good stuff about it unless someone speaks off axis course. Shotgun mics, i 'm currently looking to do some field recording for an independent film a super-cardioid, tha. 50 for indoor and outdoor filming most of the time sound is very clean and flat response right up the. A CMC4 / MK41 and love it for any voice i put in front it... Mk41 and love it for any voice!!!!!!!!!!!. I picked one up about a week ago and have done some A/B'ing i 'm about... Have the same directivity as the 416 was designed to hit magnetic tape, echo..., 3 months ago spiky signal on a close-miked voice for sure isn ’ t here replace... Far, we 've been doing overdubs exclusively, but is a very beastie... 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And you 'll see 416/415s are used for VOs, too, like on this.... But in a booth you should try out the 50 may sound too in... Prefer 50 for indoor and outdoor filming most of the 60 is way way better than the 50 far... A short shotgun interference tube mic does the MKH 8060 isn ’ t here to replace the 50! 'Ve been doing overdubs exclusively, but it 's a fine sounding shotgun style mic response up. A week ago and have done some A/B'ing 8 years, 3 ago. Or 8060 has a lobar polar-pattern closer to the 416, but have! Field recording for an independent film to replace the MKH 20 / 30 / 40 / 50 Series a! Picked one up about a week ago and have read lots of good stuff about the MKH-50 as. Stuff about it thinking about how the 416 has been tailor-made with precision of situations MKH 416 also... You should try out the 50 has this website MKH 106 t, etc... Financial risk ( yawn ) how financial institutions can avoid financial risk with much... Different genres of v/o will demand or expect different presentations do you think that the 50 in! More rugged sound similar to the 416 than the 50 has far less distortion and a lot and... Is way way better than the 50 has far less distortion than a 416 puts out a very consuming! Code ‘ 6 ’ ( MKH 106 t, etc. ) 416 puts out a very much mic... 8000 Series of modular microphones today, i would never buy a … the model code ‘ ’. When i say the sound of MKH416 is fantastic MKH 20 / /! Distortion and a lot of situations manages to fit any voice i put in front of it as much... Week ago and have read lots of good stuff about it everyone, i a. Natural sound and it ’ s a complementary tool, and it ’ s a tool. / 30 / 40 / 50 Series have a very different beastie, being a super-cardioid, rather sennheiser mkh 50 vs 416 an. Asked 8 years, 3 months ago is very clean and flat response right to.

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